First came Gamergate. Then came Comicsgate. Now there’s Animegate. What exactly is Animegate? It sprung up when sexual harassment allegations surfaced against voice actor Vic Mignogna. He’s known for his English voice-over work of Japanese anime shows that were dubbed for English-speaking viewers.
I strongly disagree with Animegate. I think Vic Mignogna is a creep.
These photos are from Anime News Network and they feature Mignogna posing with a 14-year-old girl at a 2014 convention:
Funimation conducted an internal investigation concerning Mignogna’s behavior and announced they would no longer work with the voice actor. Rooster Teeth did the same. How could they not? All they had to do is look at the three above photos posted by Anime News Network. Why would any company want to work with Mignogna? Generally, reputable businesses don’t want to work with creeps like him.
Ordinarily, I try to see both sides to a controversy before making up my mind. Before I was against Comicsgate, I was for it. I thought comics were too expensive and the books were delving too much into identity politics. Eventually, I could not ignore the underlying base of hatred and bigotry the hashtag movement attracted and fostered. In retrospect, I wish I had noticed it sooner.
Animegate is one hundred percent wrong
I’m having a hard time seeing both sides when it comes to Animegate. This is about as cut and dry as you can get. People who are supporting Mignogna must not have looked at the photo evidence. That, or they don’t see a problem with a 51-year-old man putting his hands and lips on a 16-year-old girl.
In conclusion, I think anyone supporting Vic Mignogna needs to reassess their position. In this case, the sooner the better.
More PhotosClick on a photo to see a larger version
Anime Expo 2017 was held at the Los Angeles Convention Center this weekend. Things didn’t go as smooth as they should have. People were forced to stand in long lines for hours just to get in.
The Society for the Promotion of Japanese Animation (SPJA), the event’s organizer, blamed the problem on safety and security.
Welcome to Anime Expo 2017 now get in line
Attendees were first forced to stand in long lines to get passes. Once attendees had passes, they then were forced to stand in another long line to use those passes.
If the SPJA truly cared about the safety and security of the event’s attendees, they would have made sure those attendees were not standing on the streets of Los Angeles for hours without the benefit of security.
If you were someone who wanted to visit harm and violence on attendees of the Anime Expo 2017, the easiest way to do it would have been to do it when people were standing on the street waiting to get it.
That’s just a fact.
Hold event organizers accountable
The real problem is that the SPJA knows it can get away with treating people like shit and they will never be held accountable for it. Next year, people will still go to the Anime Expo. Fans will never hold them accountable for their poor management and general attitude of rabid apathy.
I’m not like that. I look at situations like this and it only cements my option that these type of events are poorly managed and I don’t want any part of them. Standing in long lines for no good reason is a young man’s game. I’m not a young man anymore.
The Funimation Roku app, FunimationNow (version 1.0 build 110) will not allow me to stream TV-MA rated content. I can watch such content on my computer or on my Xbox One, but not on any of my Roku devices.
When I try to watch a show that’s rated TV-MA, I see a blue screen with the words, “Sorry! This video contains mature content.”
I contacted Funimation support because that is what it said to do in their online FAQ when presented with this error. The person from Funimation emailed me back asking what device I was using to stream programming to my TV. When I told them I was using the Roku, this was the response:
Thank you for contacting Funimation Support.
We apologize that your premium subscription isn’t allowing you to view TV-MA content through our new app.
We are aware of some issues with our newest apps and we’re working with our Development Team to get this fixed as quickly as possible. We have escalated your account to our Development team for review, and we’ll contact you as soon as we hear any updates.
In the meantime, you can still enjoy your full Funimation subscription on our website or through one of our current/legacy apps. We appreciate your patience as we work to get this resolved and we apologize again for the inconvenience.
Please let us know if you have any additional questions.
So there seems to be a problem with the Roku app. That would have been nice to know sooner. Before this email, it didn’t even occur to me to try watching streaming content on my computer or my Xbox One.
This is beyond annoying considering that I’m paying for a Funimation premium account, and because their app for the Roku isn’t working correctly, I can’t use their service the way I want to. I want to watch anime on the TV, not the computer. One of our TVs has an Xbox One, but I despise the interface on the Xbox One. It’s overly complicated and using the controller as a remote control leaves a lot to be desired. It times out after so many minutes.
FunimationNow is the only app on Roku, so Michael’s advice on using a current/legacy app is not very helpful. I don’t even know what that means, current/legacy. Aren’t they the opposite of each other?
I just want to watch anime in English on my TV like a civilized person. I’m more than willing to pay for the privilege. Is that asking too much? I think not. Granted, my life-long appreciation of Japanese culture should have prompted me to learn the Japanese language, making Funimation and it’s extensive English dubbed library an unnecessary thing to have access to. In my defense, I’m incredibly lazy, and I’m not even as fluent in the English language as I really ought to be. I still don’t quite understand when to properly use the words who or whom. Not really.
Otakon, the annual anime and manga fandom convention is taking place this weekend at the Baltimore Convention Center. It will be Otakon’s final year in Baltimore. The Walter E. Washington Convention Center in Washington, DC will begin hosting Otakon starting in 2017.
Why the move? Because the Baltimore Convention Center hasn’t aged gracefully. From the official Otakon website:
The primary driver for this move is the state of the facilities in Baltimore and their uncertain future. The Baltimore Convention Center has not aged gracefully and there are proposals to replace both the BCC and the Arena over the next five years. Any upgrades would require at least a temporary move and would result in disruptive changes in our facilities regardless of the final outcome.
The Arena is the Royal Farms Arena located a block away from the Baltimore Convention Center. I haven’t been there is years, so I don’t know if it too has not aged gracefully.
Another problem with hosting Otakon in Baltimore is the city itself. Parts of Baltimore are dangerous, not the kind of places you’d want to go dressed up as Sailor Moon.
You also never know when the Baltimore police will kill someone. It happens all the time. When it does, there’s good chance there will be riots and the city will burn. Black Lives Matter.
There’s a reason the HBO series The Wire took place in the city of Baltimore.
I’ve been to Otakon only once, and I didn’t care too much for it. Although my interest in Anime and Japanese pop culture is not the greatest, I do have some interest in it. What stood out the most was how rude and obnoxious everyone seemed to be. I had more people bump into me at my one day there than I had the prior twenty years combined. I’ve been to Star Trek cons. I’ve been to comic book cons. The fans at Otakon are just different.
Another thing I don’t like about Otakon is the price. They don’t sell single day tickets. The event takes place Thursday through Sunday. If you want only to go to Friday’s convention, you have to purchase a four-day $100 membership. They get away with this because they cater to hardcore fans, the type of fans who wouldn’t dream of going to Otakon for only one day.
I’m a much more casual fan of anime and Japanese pop culture. My casual fandom isn’t conducive to forking over $100 for the privilege of attending a convention for one day.